Zitation: Eder, Thomas Fabian: Independent Performing Arts in Europe: Institutional Consolidation and Precariousness of an Emerging Field. 15. November 2022. Open Data LMU. 10.5282/ubm/data.330
Text (Dataset Independent Performing Arts in Europe)
Dataset_Independent_Performing_Arts_Europe.txt - Eingereichte Version 1MB | |
Text (Values Dataset Independent Performing Arts in Europe)
Values_dataset_Independent_Performing_Arts_Europe.xlsx - Eingereichte Version 20kB | |
Text (Variables Dataset Independent Performing Arts in Europe)
Variables_dataset_Independent_Performing_Arts_Europe.txt - Eingereichte Version 47kB | |
Text (R Script Dataset Independent Performing Arts in Europe)
R Scribt.rtf - Ergänzendes Material 135kB | |
Text (Note on the qualitative dataset complementing the quantitative dataset)
Authors note.rtf - Ergänzendes Material 618B | |
Vorschau |
PDF (Survey Independent Performing Arts in Europe.pdf)
Survey_Independent_Performing_Arts_in_Europe.pdf - Ergänzendes Material 489kB |
Vorschau |
PDF (Expert Interview Independent Performing Arts in Europe.pdf)
Expert_Interview_Independent_Performing_Arts_in_Europe.pdf 494kB |
DOI: 10.5282/ubm/data.330
Dieser Datensatz steht unter der Creative Commons Lizenz
CC BY 4.0
Beschreibung
The independent performing arts are establishing themselves as an autonomous organizational field operating across Europe. The core interest in this regard is not in artistic form or aesthetics, but in organizational features that define the field institutionally throughout Northern, Eastern, Southern and Western Europe. This structural account is complimented by an analysis of the social situation within the field, especially in light of the new challenges posed by the coronavirus pandemic. Next, the actions taken by advocacy groups to improve the precarious status of the arts and their successes in governance are analyzed in terms of international coalition patterns, the development of mutual awareness and isomorphic alignment in the structuring of the field beyond nation-state borders. 1,031 survey responses from cultural professionals as well as expert interviews with the management staff of independent performing arts associations from twelve European countries are the basis for the research. Neither a scholarly account that consolidates the independent performing arts as a European institution nor a detailed empirical investigation of its socioeconomic situation has been presented before. Consequently, with the data-based discussion of this publication a gap in knowledge relevant for science and practice is be closed.
Keywords
arts organizations, cultural organizations, cultural policy, advocacy, neo-institutionalism
Quelle
Umfrage
Dokumententyp: | Daten |
---|---|
Name der Kontaktperson: | Eder, Thomas Fabian |
E-Mail der Kontaktperson: | thomas.eder at lrz.uni-muenchen.de |
URL der Kontaktperson: | www.thomas-fabian-eder.com |
Fakultät: | Fakultät für Geschichts- und Kunstwissenschaften |
Dewey Dezimalklassifikation: | 300 Sozialwissenschaften
300 Sozialwissenschaften > 360 Gesellschaftliche Probleme, Sozialdienste 700 Künste und Unterhaltung 700 Künste und Unterhaltung > 790 Freizeitgestaltung, Darstellende Kunst |
ID-Code: | 330 |
Hochgeladen von: | Thomas Fabian Eder |
Hochgeladen am: | 21. Okt. 2022 13:12 |
Letzte Änderungen: | 29. Mrz. 2023 12:45 |
Nur für Mitarbeiter des Archivs: Bearbeiten